Calcular na Areia II - Segunda edição do ciclo Calcular na Areia, CnAii2627

Calcular na Areia II - Segunda edição do ciclo Calcular na Areia, CnAii2627. Calcular na Areia é um ciclo de residências de investigação e criação em artes eco-tecnológicas, electrónicas, digitais, biológicas ou tradicionais e experimentais, que origina exposições, oficinas, eventos e obras colectivas. É um projecto em arte-ciência que visa criar cultura actual e atracções públicas em artes eco-tecnológicas e resilientes, interligando novos meios artísticos e/ou tradicionais, associados à estética e algoritmia, reflectindo simultaneamente na preservação e resiliência ecológica e tecnológica. Ler mais em Português: [PT].

Calculate on Sand II - Second edition of the Calculate on Sand cycle, CoSii2627. Calculate on Sand is a cycle of research and creation residences in eco-technological, electronic, digital, biological or traditional and experimental arts, which originates exhibitions, workshops, events and collective works. It is a project in art-science that aims to create contemporary culture and public attractions in eco-technological and resilient arts, interlinking new artistic and/or traditional means, associated with aesthetics and algorithmics, reflecting simultaneously in ecological and technological preservation and resilience. Read more in English: [EN].

CnAii2627-intro-www-1080p.mp4 @ youtube/@artecodigopt

[PT]

Calcular▪na▛Areia◽II◖-◒Segunda◊edição◂do▘ciclo
▯▝▶◻◡◡▼▚▊▪▃◔◷▕▧◡◁◪◞▼▸◯◕◖▘◿
Calcular▯na▉Areia,▮CnAii2627.


▘▅◥▎◢▫▹◨▶◧◖▂▔◾◸◪█◝▎▔◫◜▢◹◛◓
Calcular◢na◞Areia▖é◞um◯ciclo◾de▯residências△de
◶▭▟◖◒◢▊◡◨◝◣▲◧◆▕◱◠◈▃◭▲▴▭◆◺◔
investigação▱e◼criação◢em◈artes▤eco-tecnológicas,
◈◀▌▙▁▤○◎▤◑◼▩▒▨◁▽△◵▫◧▌▴▮▟◬▜
electrónicas,▖digitais,◐biológicas◦ou▨tradicionais▴e
◑◮▇▪◷▃▩◉▼▄▨▓◺▝○▓◮▹▬◳◉△▷◽◶▩
experimentais,▕que◗origina▌exposições,◍oficinas,
◕▃△◥◡▮◟◌◳▒█◗◖◝▖▸◻◽◕■■▅◱◬▻◴
eventos▎e▒obras◢colectivas.▴É◤um◼projecto◭em◲arte-
░▦▹▒◚◲◑▭◬◆▫◝▝ ▮◡◭△▐◧▩◙◙◪▮◦
ciência◬que▧visa▶criar▽cultura◹actual◲e▻atracções
▩◵▞▭▐◁◨◞▸▅◌◫□▝▴▓▦◽▮▌◫▤◂▥▘▤
públicas◺em►artes◤eco-tecnológicas◨e▩resilientes,
▖◞◉▲◱▵▵▜◼◍◸▆▴▪▃◽◵▛◶►◶▅△▤◉▬
interligando▦novos◍meios▲artísticos◱e/ou
▇▄◱◲▢◪□▾◵◟▉▀▴▽░◎◳◰◬◎▲▬▇▭◓▄
tradicionais,◙associados◭à◳estética▻e◙algoritmia,
◛▜◂▸◢▊◽▒◻▚◼◔◞▶◪◕□◱◳▔▿▙▂▹▭▿
reflectindo▙simultaneamente▱na◦preservação▧e
◻▭◰◸◣▕△▵▵◺█◁◛▲◙◩○█▊▜█◔▒◫▽◳
resiliência◸ecológica▼e○tecnológica.
▂▙◾◍◃◖◥▻▘◸▓▏▻▌ ▕▤▪▨▣▙▫△▶▋◬
Historicamente,◧‘Hisab▁al-Ghubar’△(termo▿árabe
░▢▼◈◡◐△▟▍◽▴◿◰▒▇◷▾◠◝▲▃◱◦▯ ◊
fundador▣de▖Calcular◈na■Areia),▰designa▐a▭prática
◖▂◴◜▗○◊□▛ ◉▅░◎▟◾◤▝▝▤▇○▻▞▋◪
dos▚aritmetas◰indo-árabes,◊que◝desenhavam▀e▎fixavam,
◴▙◚◃▬▎◞▚◡◇◥▞◥◌◵◖▭▆◘◸◖▚○◰▗◖
ainda▘que◹temporariamente▫e◣sujeito▃às◎intempéries,
◟◷◃▿◻▎◖▙◲◂▞◞◙▀◣◳▴●▮◱▓▣◐▫▨░
números,▶caractéres,◸operações◵e▍procedimentos,
▧▚◻■▟◚◞▛▥◗◢◼◵█◛◊◶▋▏▚▏◯◣░▛◔
utilizando▢a◨areia◳como▘suporte▲efémero◳e◢abundante
▌▖◵◦◶▏▂▹▶◯▿▌▘▝◊□▁▇◎▌▄▔◾▒▣
para▩os▯cálculos.
◷▻◛◜▇▝▔▦△▗◤▼◕◽◸◵■◴◬▐░▍▥◻►◛
Era,◹e◲é▕ainda,▛uma▬computação◿manual,△integrada◤no
▃◂▇◍▞▜□◆◶◎◈◟◖◹▊▿◫◎◒◚▹▰▋▼◯◆
ambiente.▚Uma◠tecnologia▋ambiental◙de◙pegada◫nula,
◟◖◕▽▮▂▫◺▴◈▇◻◫▱▨▖◱◔▸◑▏▾▃▢▜◅
de▲cada◉volta◮no◾ciclo▅temporal,▅cada▶vez◀mais
▉▐▽▝▀◶▀◬▸▔▋▰▎▸▅▼▤▴▇▒▕◱◝▾◸◓
ecoresiliente.
◩▗◂◸◴▸◆◬▫▹▝◇◹◷▢◑◩▤◞▔◘▵▸◅▴▖
Servia,◇e◱serve,◐primordialmente,▢para▯cálculos
▴◚◎▿◩◡◊◿░□◇◅◱▻█◱▐▼▅▝◉▢▘▿▹▻
contabilísticos▓e◻trocas▥comerciais,◬mas◁também
▽▒◃○◷▔▫▴▶◑◤█▂◖▹▕◄▄◿░◉►◓▐▫▚
serve◨para◇medir▜vastos▸espaços,▶ou◴pensar▌fórmulas
◓▯▔●◼▗◔▫◊▴◐▪▍▛□◪▟◺▪◆◳◀◽◯◉◛
matemáticas◨ou◜alquímicas,▅e▔desenhar◦arquitecturas
◧▰◣◮◛□◩◨▸◺□▦▢▿◑▝◿█◲◑▢▽▪▒◟◽
elaboradas,▯mandalas◹de▌areia▋provisórias,▍textos
◞▿◿◠▧●◟◇◕◻◩▚▿◡▔▹░◜▋◝▹ ▼◃●◱
poéticos◃gödelianos,◈tornando-as/os▃executáveis,
◧◠▧◰▔▥▀◀▛ ◗▓◺▴◌▴▆◇▀◛◛◻◓○▊◳
ancorando▉pensamentos◘simples◸ou◾complexos▷através
◤△◛◘◯◑◊◯▙◳▝◠▹▄◣◽◟◜◀ ◣◂▜▏▷▶
de○vários▻ou◤poucos◼passos,◷sem▊perder▦o▋nexo◔da
▰◈◦◚◓◇◟●▱▬░◓◌▆▿◚▩ ◳◡▅◐◪▄◻▫
linha,◾ainda▕que◎por▌vezes▲tracejada◐e◑intervalada
◙▗▍◃○●◊◽◤◃◸◗◈▷▓◾▩◼◊◬■◆█◔▹▼
nos◷degraus▄da▻profundidade.
□▒▶◢◳█▪◇◎◢▻▔◭▍◎◢▿▯●◯◛◃▾○▒
Mas▟também▵servia◱e▾serve◗para▄cálculos◖balísticos▊e
▦▁▩▽▫▞▐▯◇▟▇▛◪◆◍◛▴◅▪ ▸◯▾◯▸◼
estratégicos,▱em▻tempos▬de◩guerra◧e○de◕ódio,
▉▬██▉◙◓▞▆▧▤◢◫▪◔◓▜▿◆▻◛◸▞○◨▌
rancorosos○ou▃catastróficos,◦ou▥para▝desenhos▥e
◟◑▻◄◠□▯●▙◔▒◗▒◹◗◶▁▅ ▪▃▮▓▘▼▯
pinturas◌efémeras◸e▎semi-impermanentes,◤e▓para
◸▝◣◬▅◿◺▢◬░◷▨◛▋◗▻◤◐▙◻◤◛▋▔▲▶
jogos,◤círculos◧mágicos◅e▚supra▭humanos,▞em▕tempos
◐◇◿▍◴◖◙◠◌▁▕▒◅▘ ◈▥▷◯▖ ◊▓▪▏◮
pueris,●festivos,◡e◡de▃paz◹e▵de▇amor.
▔◷▤▏▼▏▌△◿▋▰▹◮◘▸◕◆◈▝◾▹▣▫◿▙▯
Calcula-se◳na◎Areia▴para▲prolongar,◄medir,◂desenhar,
◽◧◷▫█▨▞▵◬◗▇▵◐◶█▐○◣◝◽▨◸◛◐◤▧
arquitectar▍e░passear▔na◵escada◜dos▤pensamentos,
▥▍▿▲◄▱◷◇░▉■▇◳◖▢◕▐◐◃▗◄▁◟◒▶●
subindo◥ou▷descendo,▔com◨o▚auxílio▦de▮tecnologias.
▮▩▹◰▿◓◍◇◵▋◡▎▖▁▉▕◓◽◾◲▰□◽◀◁▖
Passos▼intervalados▻que▆são▅assistidos◯por◌grãos▪de
◥◛▭◦◄◁▙◚◌◴▭▐◻▜◐◀◉◠◥■▦◮◎▦►▼
areia◘sob◛relevos◣esculpidos◵variáveis,▗linhas
▀▧▩▩◔◠◈◂▱▨▯◗▴▫◝◤▞▾◑▎◁◯▜◛▶◭
topográficas▆demarcando●regiões.▉Caminhadas
◃◟▟◆◴▃▀◶◀◼▨▙◫▣◐▵▇▂▆◝■▚▤◆▤□
assistidas◉por▩paus,◡pincéis,◇cinzéis,◞engrenagens,
▿◐░▋◳▛▖▟▎ ▿▬▮◴◅◀■◲□▭▛▄◼░■
roldanas,▸fios,◈novelos,▅circuitos,▾radiações
▇◘◩◉▟▶◸▦▾△▷▰◛◭▤▮◝◥▙▞▃◺▽▾◪▛
electro-magnéticas,▢máquinas,▖motores,◈computadores,
▟□◲◕▸◝◛▝◣◬◫▩◽▤◼▝◾◲◠░◽◞▽◈◟◔
sons,◌luzes●e▝sombras,◷ou◷pelas◍próprias◍mãos,▛ou
▉▤▢◀▜◭◲▕▬□▗◼▇◃▹◧▼◿▖◧▍◼▻◵◌◩
pés,▅ou▹ainda◣pelos▪elementos◬próprios▼e◯nativos◤das
▰▮▻◔◍▞▒▶▂◩▆□▖◂▚◃▉◶▂▲▧▁◖►◅▩
paisagens▹planetárias,◜permitindo◱escalá-los,◷degrau
▧▥▻▾◎■▅◈◈◻▼▹◐▶◨◂◶◞◔◌▐▉◨▧◪△
a◿degrau,▊comunicá-los,▓comunicando-os,▱executar,
▽ ▨█▵◴◮▂◴◑◕◗◹◽◛◔◞◤▢◮◡◞▆█►◜
executando-os,◂desenhá-los,◐desenhando-os,◱jogar▩e
◔█◩◓◥◇▍◕△▜◙◾▰▱▆◩█▹◤▏▆◽△◣▖◉
jogando-os,▣com▅os◹muitos◅outros.
◞◯◮◳▀◮◵▏◨▬▹▲◁◊▒▀□◢◨◙▯▓◊▆▵◂
Hoje,◌o▜silício,◁extraído▷da▘areia,▎e▞material◘base
◅◦◒◕◨▄◓◞▁▜▪▘○◩▒▀◓◥▁◱▚■▘◮▜△
da▞electrónica,▚que▼sustenta▴a◫civilização◭digital,
◞◖▍▔◷▂▖▃◂◎○█◃▭◇◮▓◽▽▥◄▵△▱◎◇
fecha▸o◈ciclo▝da○computação,▃iniciado△a◨calcular▌na
◘◫▂◼░◜◤◺◿◛▦▕▇▥▯▁◢▛△▤◊◂▧▕▲◍
areia,◿e▣continuado◊nos◼sonhos◊de▟Ada◼Lovelace◔e
◷◫◦▰▂◲◒▍◔◎◂◊▦█□◜▱▶▊◭▴►▱░▒△
Alan◼Turing,▂visionários◑da▾computação▚moderna◆e◰dos
▜▂▦▨▯▯▵▋◛▢◯█▌▘▨◃▨◸▧░◜◢◱▣▟▀
primeiros▮algoritmos▄maquínicos◉contemporâneos:
◜◔▻△▢◅▴◰▇◾◜▫▾◌▅■▝▻◵▏▦▗▄▀◕▩
sonhos◹de◢uma◗máquina▥universal,▾que◅poderia▏cantar,
◞ ▻▱◣◤◌▧▇░◔◞◶◨▯●▷▵▀△▻▭◫▥◇▖
descrever◅e▀executar◛mundos▨de░beleza◣inaudita,
▌◃◧▄▭◗▚▫◪▜▋▊◹▌▔◀▂◄▶▌▘▿▔◄▖▞
complexa▲e◡imprevisível,◭mas◵também▀de◙pesadelos,▘de
▁◤◴◶▂◲▝░▫◊◢◨◦▣◄▓◟▕ ◀◒◀◎▵◎◕
guerras,◇de░encriptação▰e◰de▘descodificação●de
▭▬◐◹◃◔▝◸▙◚◗◝▦▯▵◗◣▄◧▁▨◧◯◘◺◽
estratégias◯balísticas◴ou▽colonizadoras.▀Máquinas▕do
◶◉▯▎▵▸▌▜◢◬◶◅◞▪▤◁▥◑▞◼◰◤◱◭◀◷
século◑passado,◦que▂seguem◙na◢pegada◃de◢mecanismos
▢▄◓◽◤◛□◼◁▱▎◡◤○◔▢▇○▀▨◣◦◖▃▇◊
computacionais▋algoritmicos◇ancestrais,◮como◊o
◾▘△◊◾◊◰◥◾◧▷▽◯◛◬◘◯▭◄◊▵▿■█◖◬
mecanismo▜Antikythera,▮que▄previa,▽com◖uma▇exactidão
▱▣▗◠◃▴◙▝◠◡◝▧◆▽◦▬▗▷░◝◦◴◁◼◨○
minuciosa□quase◷científica,▝a▁posição▜astrológica
▛◂▎◗◧▮◘◈▦◒▝◕▻◧▬▍◹░◾▋◢▥▙▵▪▯
dos◷planetas◀e◆dos▬eclipses▼em▃intervalos▀temporais
◗◈◉▍▭█ ◶▛◙◮▼◖◣◳▚ ◅▼◈▱◢○▨▏◨
latos,◾ou▚do△mecanismo◁medieval,▪mais◜obscuro,◗mais
▐◷◣▄□◈▬▖◦◽◑▏◴ ▁◿◴■▐◃▟▏◆▮◑▁
que◬científico,◁que▷enfeitiçou◒a◒Ars◛Magna▉de◩Ramon
◪▴◓▙▇▁◑◞□▉◧◺◱▦◛◽◇◶█◟ ▿◻▣▢◿
Lull,▾e▼Gottfried▙Leibniz,◚entre▪muitos◆outros.▼Uma
◝◅◘▹▁◭▕△◅▌◼◣▛▦▎◔▫▜◻▄◜▮▜◦◔◡
‘máquina’◦para◘pensar◆eventos,◸nas▎fronteiras▆e◮na
◗◳◨▒◌◧◶◷▎◡◒□▨▹◢◃▒◲◡◻◪▰◠◵◂○
unificação▐do▌que◫hoje◛chamamos de◀astronomia◝e
▘▽○◚◵▌◞▐▤◑◝▌▯◩◎◣▾▫▫◉◶◉▘◀◚◐
astrologia,●indissociáveis◟numa▣amálgama algoritmica
◣▁▶▽◶◁▝▽◒◽◄◻◧◧◼◔◼▱▙▏◞◀▃◱◃◘
alquímica,▍e◺nomeada◒Za’irja,▫inventada,▲crê-se,◕por
▂◠▻▨◴◍◹▝▤◔◴▒▶▏▮▲▔▿◎◾▦▿◕◔ ▜
um▎dos◔mais◊distintos▱mestres◷Sufi◧Maghribi,◒Abu’l
▋▮◹▕░▗▝▗◲▂▒◞▷◙▒◉▗▇◔◔◥◾▗▧◝▿
Abbas▪as▆Sibti,◒de◭Ceuta◮[1].
●◕◫▎▵◩▾◱◗◰◝ ▄▝◓◍▗▥◘▞□◱▵▂▶▍
Perante▹o▹colapso▨ecológico▀de◍solos,▦e▣a▘expansão
◣◯▪◹◣▢◄◤▲◇▭▻▪◜◉◻▧◡◶◁▌░◼◕▝◵
de◖desertos◻pela▙extracção▖intensiva◯do▍silício█sem
▵◛▛◓▋◥◑ ◈◲▜◐◲◧◫▚▓◳◯▞▒▂▩◳◹◾
atender▃aos▃limites▍do▧planeta,◓o▧projecto◔Calcular
▔▯▅▚█▶◆◛▚▃▊◢◦◺◑◝▚▂▀◶▱◾◫▟▅▣
na▛Areia◡propõe▵aos◳artistas◹convidados△para◛o
◺▴◐◓◝▕▨▻▉▮▎◿▴◲ ◡▤►▋▹◀◠◈◟▢▮
ciclo,▿pioneiros,◧investigadores◶e◛emergentes,▔nas
■◷◀▢◺▕◚▋◱▱◛◫▌▩▉◗◉▇◿▱▌◆▁◎►◳
suas◅áreas◪de▰eleição,◷que◗se▞volte░a▧calcular▶na
▭▄◨◰◂▸▏▦ ◪◓▍◤◎◞◆◫◡ ▘◿▌◈▹◝▅
areia,▿não◬por▤nostalgia,□mas◀como◊acto◔criativo░de
◉▎ ▼◧▖◎◀▜▿◘▗◗▛◲ ▀▅▼◿●◾●▭◗
ecoresiliência▵tecnológica.◲Focado◁na◷metáfora
▹◁▖▫◅◟▔▫◖▙◇◦□◵■▵◵◖◛▒▲◳◑█◪▁
fundadora,▭a▱areia▣como▎ponte●entre◵a◍origem◾da
▞▟◉◠▿◖▋◐▥◺◆◁▸◰◸▬▥◹◳◓◽◻◠◫▮▇
computação▨e◞a▏actual▩crise▋ambiental,▫o▃projecto▹é
▷◕◝▞▍◶▲▔▊◒◰◫◻◩█▏▢▖ ◰◵◠◿◘▊
um▌ciclo◷criativo►metodologicamente▪assente◥em
▁◧◎◄◯▢▷▍▾◇▝▪▷▜▣◯◦▯◜▝▿▾◍◽░◐
residências◃colaborativas▲de●investigação◣e▪criação
▓○◴□▃◽▝●▗▸▞◄▴▗▎◠▆▆◼░◆▄▐▗▾◹
em◿artes▱eco-tecnológicas,▻electrónicas,◸digitais,
◛◣◧○◊▀▤◖◬▿▥△▊◔◆▹◸▼▼▌◅◴◺◵◮◳
biológicas◅ou▀tradicionais◉e▤experimentais,▣e█no
▏▰▆◇◃▅◹■◴◛▃◙░◵◎▂▗▎▶▧▙▲◐◽▛▖
diálogo▤entre▂os▱criadores▤de●diversas▋áreas◭que
▉◴△◓▹▶◱▛◶▹◘▇◳●◝ ▪▜◕▨◉▪◜◪▱
cruzam▚a□computação,◳bioarte,◸som,◈instalação,
◀◯◵◿▀◊▃◾▢▙►▼▰◀▕▛△▒◥◍▒▅◨◍▤▣
pintura,▔escultura,▆design▝electrónico◬e▦teoria
◊▤▐▬◑◖◺◛◙◸█◨▫▦◠◉◍▏▃▖◎▙◟◴◓◺
crítica,▪donde▦resultam obras◐individuais,
◧▶◞▹◫◭◎▂◺◌▬◊▟◥▰▼◷▰▏◅▦▨▘◒◎▋
colectivas,▥eventos,◩oficinas◀e◤exposições.
◉▮▘ ◞▼▾◁◰▇▌◉◢◴▻▖◢▍◓◊▣▮▟◮▢▰
Calcular◨na►Areia◓2627,▄a▇2ª▩edição▧do▏ciclo,▅mantém
▎◪▻◁◬▙◯□▜▦◲◿◇▶▐◻◭▪◫▉◁◎▼▫▧◹
a◌originalidade▇da◵essência◗conceptual◠e▢artística
▖▧◔▬▆◺◊◫◝▊▧◑△◆◧▊▾▁▭◍◕◀▧░◇◩
do◇projecto,◁e◈estabelece▍uma▔singularidade█própria,
◧▯◔◮◟▪◡◵▢◺◣▽▂▤▩◼■▮◲▸▏○◼▚◌◶
articulando◖os▵eixos◟complementares▗da◜Arqueologia
◭▨▝◈◮◡◇◆◃◝◔◕▞▁◵▧◝◆◮▱▼◰▼◦◖▵
Tecnológica,◐revisitando░processos◥analógicos▥e▢pré-
◕◌◥◣▔►▶◾◙▰◲▋△▴◩▚◞◩▔▘▫▇▣▥▂◴
digitais,◴propondo◉ligações◪entre▼a◟electrónica
◢▜▦▫▙◁◃◘◰▖▓●▵◹◭▱○◜◲►◑▔◺□▽▯
actual◉e■os▯seus▘substractos▔geológicos△e
◨▄◒◌▓▖■◚◊◅◼▞▨◺◀▮▃►▐▏▙◵◒◻▹◵
históricos,▾bem▱como◧a◩Ecologia▖dos▉Meios,▴através
◲▾◔◷▥■▄▢◿▾◌░◂◲◉◉▤▩▆▔◼◇▯△▪◴
de◡uma▆análise▘dos◕custos◧ecológicos◻da
▏▍◅◭◗▷◹△◪◱▍◫▩◶◵◓◯◇▓▧◑◫◵◵◛◱
infraestrutura◙digital◧e◗propostas▛bioelectrónicas
▶▊▥▣◟◰▅▩▱◾▤▿▒▭▏◯▝◇◚▘◖▢▹◢█◑
ou◽multimédia,◗onde◥aqui▗a▩tecnologia▇serve▒a
◼◼◕◈█◂▖▴◕◤▫▚◟▿▂▢◺▵◭▖◧◴▘▴◑◄
resiliência,▬mantendo◭a◮opção◢estética▍central▒da
▣◬▾◡◡▁▙▰◑◫◵◮◽◯□▟▙▷▽◙▚▗◾◱▞◯
metáfora▒da◔areia,◅re-inventando◺o▇gesto◑fundador◐do
▪◨◡◻◀▖▼▦◀◚▬▶◹▾▞▬◖▱◇◻◑▛◃◈◜◞
projecto,◀que▾se▾justifica◖pela▂ainda◴urgente
◔▙◳◮△◩▩▤▂▽▂▖◘◀◾▛▟▀▧▀◼◖█◰◕◿
necessidade◚de▐repensar◖criticamente▍a▶relação
◷◵▜▒▆▂▯◂◡▰▜◐▘◫◨◈▭▫◷▂▼▭▞□◨▤
ecologia-tecnologia,◴questionando▜o◕progresso◲linear
▕◦◒◚▞▱ ◿▻◸▾▛◳░▪◺◚◐◷▧◐░◜▬▽◎
a◢que◚estamos◚sujeitos,▯e◒propondo▩alternativas
▲◽◘◫◊▇◂▉▹▴▚▖◐◁▟◈▘▐▛▊▗▘▍▌▉▿
multimédia,▯bioelectrónicas,▅harmónicas▹e
◑▉◝◐▌◌▣◻▚▰▃▞◛▆▭◯◌◁▨▘◁░◼▗◉◐
reverberantes para◽com▖os◧ecossistemas◷onde◪se
▒◚▹░▿◀◸◈◔◯◈◗▪◞◜◱▭◟▦◝▋▉◜▓◡▉
inscrevem.
◸◼◤◶◷◀▨◄◽▧▀▢▏▙◗◿◛◯▁▱▝▻◆▚◰◙
Com▊esta▊articulação▘temporal◸e○de▕conteúdo,
▀◧△▇▗◍◫▪◌▗◹▬◚◦░◕△◣▘◢▹◫◩▆▤◗
conceito,◘estética,▙metodologia▗e◒território
◁░▲▐▜▦◟▁▜▅◐▦▮◈◪◗▎█◯◧▁◍▰△◾◼
reforçam-se▬mutuamente,▄criando▕um◀ciclo▣vivo◶que,
◃◷■◥◗◥▇▁◚▇◐◄▓░▫▤▎▔△◂▗▐◮▐◥◙
em◜cada▕edição,◡contribui►para▫responder,▱com
◐◧◕▗◸▙▩◠▅▦▥◚▐▏◯◣▘▝▘◓▘◳◒◛□▓
originalidade▣e◫pertinência,◱ao◺enorme▙desafio◻de
◧◓◅◞▛◯◼▗◴◉▮▹◐◐○◜▢◘◼▃△◇◻◊◌◴
preservar,◴também◅pela▾Arte,◭a▁sustentabilidade
▲◤▱◗◣◒▶▾▀◄◕◺◒◊◾▷◢▘◯▥◔◜▵◄▿▚
planetária.
◯▌▎◜▁◦▃◧░▓◨◺◶■◌◿▤▮◒◗◖▟▐◡▞◪
–▥ArteCódigo▯(Fevereiro,▰Agosto,◺2026,◁Portugal).
▯◓◣▖▁▋▲◽▥▤▼▒◐○●▾◞○▪◠▐▣◽▘◑▟
Nota:░Texto□escrito▀a▒várias◡mãos,▩pela▥equipa◚da
●◸◩▜▂◚▱◬▣▿◭▋◵▋▏▜▫█◳▇◗▜▨▏▯◃
ArteCódigo,▬supervisionado◔pela▏direcção▃do
◈▍◫▭◁◺▟◗▦░▯◡◕▅◕▣◑◯◓●◀◱◫◁▉□
projecto,▱durante◴a◸fase◡de◖candidatura◲a◵apoio,
▇▐▙◱▰◵▣◮▖◫▊◀▄▻◩▷▼▅▾◖◒◐▁▏◍◷
sobretudo◽alterado◬substancialmente◝durante▴Agosto
◻◿◝◝◇◤▵◵▼►◼▟▒◙◼◀▌◥▱◯◚▵■▦▓◸
de◀2026,◖ao▏abrigo■de◓um▜acordo▙ortográfico▍que
◽▢◗▴◉▖◘▅▿□▱◎▤◂◾▓▨░ ◺◌◸▟□▽▮
promove▥as◬especificidades▛linguísticas
▽◹▚▦□○▫◠▸▨▭◍▷●◿◰◜▎◱░▀▇▁△▩◼
diferenciadas,▞geradoras▇de◿culturas▨específicas,▚e
◞◺▎▹◣◄▞▨◵◵▮◆▏▦▋▒◞▗◣▻◧◄■▄▓◃
encriptado▍de▛forma▌simples,▋para▃dificultar▇a
◯◦◍▷◗◘◼◟▵▏▉◟▖◪◛◥▖◶▘▇◵▵◜◡▅◓
legibilidade◵e▝apropriação◵indevida◠sem◈retorno
▃◐◥◼▙ ◻◘◅◡□▕◯▢◢◰▖◶▙▁▬░◼▊▸◄
maquínica,▾e△promover◗a▙leitura◻humana.
▄□◯▵◌◭▭◄▒▷◤◚◨░▶▬◈◺◃▾◑◞▩◘◚◬
–
◥◸●◜◟◔◰◬○◡▨◱◌▃◬▣▉◫▆▦◽▿▥◼◬◸
Referências
▛▯▶◁◦◕▙▾▓▞◈◴█◉▀▙△░▃▶ ▄▗◔▃◂
[1]▃-◁Ifrah,◰G.▦(1998)[1994].▕The▥Universal◁History
◗◨◵◰▨◦◁▃▢▗◥◜◪▩▘◁◴▕▏◩◲◴▖◝◅◷
of◉Numbers:◿From▴prehistory◪to▱the
◪▥▇◠◊▢▢▸▸◺▩◂◨◌■◽◰◕▩▉▋▓◓▦►▕
invention◉of▂the◓computer.▆London:□The▋Harvill
▕▙▱◯▏█◦▓▒◹▏▽▕◮▛▯▤▰◉▓◻▻◖◝◢▛
Press.
◾▊▐◎◾◥▷◹▽◚◯▙▂◘◼▱◐◵○▱▎▞▗▎◐◡
–
◧ ◴◈▿▉▋◯▅▮▪▻◊◸▸▱▹▖◖▯◭▅▆▭▰▒
AII:▉1e-5◞(Algumas◬respostas▆no◀topo◨da▲página▚a
▂▖◮◖◌◫▘▶▰◹◇▂▢◝◽◮▾▛►▟▭◛◍◮◵▟
questões◇em▘motores◿de▨pesquisa,◍Leo)
▇░◈◔▋◝◲░◵◯▒▩◊▽◚◓▌▵◍◟◸◃▋▵▐◄
–
▦■◤▙◉▫▩◔◮◉◊◈◡▝▤◶▿▙▒◘◬◑◭▖◸◖
41▔Linhas,▨6792◭caractéres,◔43◙►959▕7049
▫▖◑◫▍◦□◝▭▅▁◆▲◧▢▌▷▧◜ ◚▨◑○ ◃
–
◿▣◮◘▹▩◓▲▊▶◴◉◀◫▷▬□◳█▽▩◸▦◞▋▁

[EN]

Calculate░on◤Sand○II█-▆Second◼edition▅of▮the
◨◁▉◾▤▏◤▭▿◤▆◛◎◐◃△◪▲◻◣▊▪▌▝▚◿
Calculate◆on▗Sand▜cycle,▢CoSii2627.

◨▦▤●▦◡▄△▀▕◵▎◈►◉▇▘◠▣◟◨▝▮◹◢▃
Calculate▴on▤Sand►is▽a▇cycle█of◹research◬and
◰▪▲▒◓◣◎◬▻▐◳▔◜◇▣◍▹▎▥◰◚▬◎▿◷▾
creation█residences▦in▍eco-technological,
▀▤◜▫▨◎▝▹▰◙◖█◳◂▮◗▸◒▖◉◢◻▢▟▦▦
electronic,▷digital,◘biological▊or▉traditional and
▲◹◧▚▆▶▎▜◨▞◦◪▛◬◂▟○◲◛▇◳▐▽◺◣▋
experimental◅arts,◴which▥originates◌exhibitions,
◇▸◖◸▻◈▊ ▽▅▨▯▿▉▙▓▌◚▶▃▻◰◇▼▽●
workshops,▉events◬and◝collective◒works.▤It▲is◴a
◛◑▏▘◟▩▉◽◘▨▇▄▪◄◕◃▵◾▻◄◐◟◗▵▽▼
project▛in▶art-science◁that◶aims◱to◀create
▣◙◶▓◌◟◅░▲◤◟▦◫□▛◛●◠◩◝◣◡▴◿◒◚
contemporary▨culture◀and▜public◅attractions▘in◫eco-
▫▀▅◜▟■◢▽◑◔◘◟▷▦▵▔▟▅◱◖◴◍░▮▎▪
technological▵and■resilient◶arts,◬interlinking▯new
▓◿▫◌◥◺▜▆▇▭▨◊▩◨▂▌▣◰◂◘◘▙▥◿▦►
artistic▾and/or◜traditional◃means,◝associated◊with
▨◾◅◓△◆▩◚◩▄◒◍▚◣◦◾◗◾ ◍◣◃▎◷●■
aesthetics▵and◡algorithmics,▍reflecting
▜◹◜◍▰▂▭◫◸◟◻◊▜◥◎◙▉░◟▸◪▦◛▒◬▃
simultaneously▯in◿ecological◉and◤technological
◺▐◜◐▭◃▋▴◩▫◰▄◨◎◊◉◆◺◣◎◃▊▔◧◪◃
preservation◼and◠resilience.
▥▤▆▋◶◚ ◚▖▅◟▵▜▩◐▂◫▦▷▮▮◗◗◱◹◌
Historically,▱‘Hisab▥al-Ghubar’◗(the◷founding◀arabic
◆◘▝◯▃◥◖◔▐◦▅▒►◎◦▥▽▬◭▢▜◬▵◤◶●
term○of▙Calculate◒on▻Sand),▘designates▿the▨practice
▸◡▏◈◔▥▒◼◡●▆▄◢◬◡◎▌◑△▆▪◽█▗▽▚
of▂the◧indo-arab◬arithmets,▥wherein◱they drew▽and
►◔▖▉▩◵◭▆◓▲▶▢▁◲▝◔▻◽◭▚□▣▗▙◄○
fixed,◪even▥temporarily▜and◑subject▂to▏weathering,
◚◀▷█◲△◻▞▶▥◕◘▅▍ ▓▊◭◓▇▃◗◾◹▏●
numbers,◑characters,▫operations█and◩procedures,
►▵◡◩◚◭◆▬▽◎▴◩▲◍◞▵◑▒◯►△▜▾▇░▛
using▧sand◅as◙an◾ephemeral◶and▍abundant◹support▼for
◴▚▪◎░◠◐▛▒◳◯▼▊◊▹▼◛▂□▦◶▬●◣▨◡
the□calculations.
▤◷▏◘●▣◱◮◭◁◑◝◡□▭ ▄○◧▎◣◁◘◮◼◧
It◄was,▮and◫still▎is,▕a◠manual▃computing,◄integrated
▅◬▀◀◗◄◴◚▍▿◫◫▙▘◮◐▭▣▧▚▪◻▞▵◾▮
into◠the▄environment.◥An■environmental▮technology▒of
◫◗▼▁▛▿◓▔▾▊◔▴◷◶◛◕◹◕▹◻▟▚▲▙◈◷
zero▬footprint,▢of○each▜turn■in◿the▰time▝cycle,
▪▼◩▏▖◕◵▌▹▔◻▦◑▰░◽◡▵◷◵◨▽▷▙▶◄
increasingly ecoresilient.
▮►◅▃▥▘◤▲◥◡◀▐◳▶◸▤▰▭▪◄▽◒◟■◖◫
It◜served,▩and▥serves,▶primarily,◯for□accounting
◎▀◼▲▅◑▛▰▗◔░▣▚▽◆░▌◴▴▀▝◮◭■▘▉
calculations▶and◰trade◱exchanges,▎but▔also◆serves◖to
▊◙▥◨▔◻◞◣◒▂▐◟◱▨▻◉▔◕▐◔▫▲◝◍◴◆
measure◌vast▏spaces,◚or◧to◎think◼mathematical◯or
◯▭◀◐▅▘▵▖◀▛◝▶◞◫▲◟▛▲◿◱□◆◘◳▃◟
alchemical◶formulas,◯and▒to◐draw▁elaborate
◆▊▥◁▹▄▇▓▱■■▧▵◩▄◢●◳◁◼▖▕◇◁▦▿
architectures,◃provisional▜sand◙mandalas,▿gödelian
◦▓▾◅▤◪◢▁◚▽▨◎◤▍▉►█▁◩◦◫▵▔◪▚◡
poetic◝texts,◍making◝them▭executable,◱anchoring
▰▵▏◥▔◑■▆◧▐▃▒◍◱▛◀◊▥◍◾▔▒▃◡◸▋
simple◭or◦complex▽thoughts◎through▓several▬or○few
◘◙▃◊▧▂◻◗◺▕▜▄▿◆◾◨▜▀◔▧◆▪◗◇▵■
footsteps,▬without▜losing○the▬nexus▀of◟the◒line,
▸▣■◽■◚▦▟▹○▚▮▛◎▮◶▅□◄◎▅◳◃◹▕■
although△sometimes◐traced◯and▌gapped▒in▐the░steps◤of
▶ ▻◳◩▬◿◌◒◥◹◲▌◁▷◩▭▦▊▸◙▬●▻▹▸
deepness.
▧▝▝◴◻◓◂◂►◼◵░▬◘▨█◡◪◐◄◉▁◓▻▙▧
But◄it◞also▻served▛and▴serves▕for▹ballistic◎and
▊◃◃▨◹▌◿▸▄▬▣▢◕▲▞◫◙◪◹◯◩▔◽◫▏▱
strategic◱calculations,▖in◭times▚of◃war█and◭hatred,
◀◐▜▴◩▇◙◞▥▨▿◥▋▵▌◮◭▜◢ ▝▛▽◾◜◴
spiteful▧or▍catastrophic,◀or▀for▇ephemeral◂and▷semi-
●▙◣▵◚▐▘▂▧◁◂◰◥◠◩◜▜◢▕▥◉◝■◒◃▛
impermanent◺drawings►and◠paintings,▹and◯for▊games,
◫■◎▼▴△◩▜◘▛▝▴◗△▃◾◎□▏▍◼◙▤▼▬◠
magic▱circles◫and▧suprahumans, in▙puerile○times,
▧◳◬◬◄▊◇▻◥◈▖◄◑◳◴◧◡◻▒◕◣◸◫◌▏▭
festive,▤and◆of◵peace▦and◎love.
◀▬◧◄▨▂▾▘▜◲◵◆▂◜▇◀◜◑◈▍◸◱▂▹▂▶
Calculation◊on▚Sand□is▫used◒to◦prolong,◓measure,
◪◭▟◤░◩▏◌◧▁◃◰▏▇▙◕▝◷◛◼▶▲△◪△◮
draw,◈architect▨and◜taking▵a▼walk◯on◚the▙stairs▵of
▣▸▏▉◃▁▊◦▞▷█▚◡◷◲◔◷◊◥▷◹█▄▣◸◹
thoughts,▚climbing◰or▭descending,◰with▧the▸aid◓of
◴▙▫◔◒▴▻▲◷◂▰◮◹◞◞▸◀▌▩▶◪▲◢▷▤▙
technologies.◈Interval◠steps◔that◣are▭assisted◒by
▦◢◊◾◿▔▔▾▍▓◁◽▓◖▵▓◨▝▩◣▗▿◂◪◮◖
grains▥of▋sand◸under▞variable◽carved◻reliefs,
▊◩◷◥◄▪░▬▕◽◊▏▅◮▪▐▨▟▮█◎▁◒▗▆◇
topographic◣lines▊demarcating◉regions.▾Strolls
▎▞◆○◝▗▍◳◺▼▀▀◰◶◆►▛◜▁◂◎◭▖◻◻▰
assisted▮by▏sticks,▹brushes,▊chisels,▩gears,
▣◃◺◱◭▌▊◨▙▅◙░◦▁◚◡▂◲◅◜▷◙▙◈◕▯
pulleys,▻threads,▂novels,▢circuits,▲electro-magnetic
◽◐◑◍◦◡▸◸◾◨◨◂▯▷▉◎▧◖▢►◢◗◈◠▾▎
radiations,▬machines,◳motors,◛computers,◘sounds,
◷▩◳◸◼▥◇▃▇◯◭◯◨▲▷▶▎◪◰◇◵▂▶◶◑◔
lights◿and▲shadows,▟or▰by◍the◲own▉hands,▐or◻feet,▸or
▤▯▒◉◉◗▛◿◪▀◃▂◜◠◲◯◀◖◀▾◸▅▔▾▖◦
even◎by▣the◺proper▦and○native▬elements◛of◒planetary
▜△▏◔◢◟▟◙◛◁◸ ◿▕◗▜▚▛ ◹▖▉▆◾◉◩
landscapes,◿allowing▌to◐escalate▃them,▨step◹by▢step,
▀▞◗▟▙◚◖○◎▾▂◐▍▟◥◥◹◵▎▢▂▼◒◰▰◴
communicate▔them,▁communicating▔them,◰execute▔them,
◨◵◍◨◃◩▥▮◙◖▰◆◯▾◈◖▋▂◗▼▛▢▒▗◣▀
executing◶them,▆draw◷them,▂drawing▊them,◼play◝and
▼▴▒▛▮▭◓░▞●▕▖▪◛◮▓▌◆▹◙◊◳◝◮◶◁
playing▹them,▰with▖the▻many◧others.
◓▉▆◩◝◁◱◬▫◌►▱△◃▭▾◳▚◶◖□◦◍▒◽▘
Today,◊silicon,◗extracted▌from▀sand,▔and◀the■base
▅◀◩▬◡▹▇△▚▢█▣◊◟▣▯◿■▎◲▕▢◩◛◯▖
material◗of◪electronics,▾which▀underpins◙digital
▘▰▏◕◮◂◯▷▮◍◬▛▋◽ ▜◽▆◞◬▉◄▒▅◑◅
civilization,▻closes◷the◌cycle▷of◅computing,▼begun
▰▊◯▟▪▅▻◎◑◶◡▸◼◡◄◛▜▶◘▘◼◿◹▢▾▓
calculating◐on▴sand,◯and◨continued▯in◊the▄dreams◯of
◼▵▾◍◂▁▧◞◻◧▁▻◀▴■◨▲▢◶▤◬▌▉▮▹◽
Ada▦Lovelace◆and▃Alan◤Turing,◴visionaries●of▕modern
▟▒▏▌◬◝◅◦▰◪▮◆◾◔◍▩▤▱▏◀◥◺◅▿▐▥
computing◸and◧the◨first◖contemporary◊machine
◓◄◦▷◪◳▔◱◃◸◴▙▮◔△◲░◽◠◎▷▹▵▏▖◒
algorithms:◫dreams▩of◁a▟universal◯machine,◀which
□◤▙▉▀▄◣▙◐▃◼◚◷▐◹▴◙▍◁▯▗◅█▂◤▚
could◙sing,▊describe▷and◼execute▿worlds■of▎unheard-
▾▕◤◨◝◪◵◭▸◠▙▸◕◀◳◍▬◣◭◢◕◎▂▂ ▩
of,▁complex▚and◼unpredictable◊beauty,◌but◳also◔of
▽◛▱◤○◑█◚▢◧▻▿▌◯◡◂◽▀▼◈◂▨▿▔□▃
nightmares,◒of◛wars,▉of◂encryption◾and▂of▰decryption
▅◥█□▸◿◷▆◶◣◆▴▃◾□□◍◦◆◹▖▸▌▚◡▘
of▌ballistic▷or▻colonizing◚strategies.▯Machines▨of
◞◾▒◁▆▋△▘▞▣░◿▴▟◇█▹◓▦▨◰◽◜◐▢▬
the○last◻century,◘which◚follow░in◱the▶footprint◔of
◪▉◘▥▭◆◰◎▦▂◅◶◙▄▇◦▴▨◎▅◶◎◱◛▸▫
ancestral▟algorithmic◱computational▾mechanisms,●such
◄◯◰ ►▓►◖◸▾◣▪◯▧◽▔◉▘▚◳◘▒◎▧◧◊
as◅the▕Antikythera◬mechanism,◢which▲predicted,◙with
▼▃■◠▝▢▚▇▯◘▭◖◜►▟◨◐■◜▭◎◯▉▟◆▝
an◀almost◥scientific◶thorough▻accuracy,◞the
▐▲□ ▒▩►▪◼▨△▅▗▄▕▝▥◪▐►◕▇▼▥▚◦
astrological▧position▆of◷the▣planets◔and◹eclipses
▔▓◓◫▽◐▣◇▨▖◖▿▹◔▲■▸●▛◧▪▀◦◃▏◰
over◊broad▹time◓intervals,◺or◪of▚the◃medieval
◀▝▋◛▟▮◗◣◒▁◉▥◗◢▸◦▍◖▩▊◹◝▛◟▣◟
mechanism,▻more◅obscure,▷more●than▥scientific,◇which
▨▁◻◎▇▕▣◩◴■◢▲▂▩◚▛◬▣◸▕▝▃◢▀█◮
bewitched▧the▵Ars◍Magna▄of◸Ramon►Lull,◀and▸Gottfried
▱◔▆◯■◶►▵▻◪▹◚▙▉◃◹◪◚◹◖▵◙◹▞◁◁
Leibniz,◠among▞many◧others.◰A▐‘machine’◉for▥thinking
▄▦◁▇◡▱▽▭◤◱◕▊▖▭◢◷▥◑▛▊▢▱▢△▫▮
events,◤on▌the◷borders◢and▢in◷the▓unification◑of
◈◱◥◈▣◇◉▶◀▀◧◚▭▬▞▁◺◲▲▞◸◰◀▼◌◺
what▣we▛now▞call◓astronomy▗and▂astrology,
▮▜▣▩◵▅◪▐▘◅▕◄▢◮▕◼▎■◾▜▜◎◄◫◥●
inseparable◐in▪an▼alchemical◉algorithmic▵amalgam,
◶◞◁◃▒▒◚▮◚◢▇▗▘◸◼►◁◖◤▟▱◊◭▦◝◳
and▟named▢Za’irja,▍invented,◲it▄is◈believed,▟by▸one
▀▦◳▸◸▓◢▴◂◚▙▁◭◎◺◘◒▰▬◱◗▕◗▦▿◘
of◊the▕most▟distinguished◘Maghribi◮Sufi◈masters,
▷▧▨○◳◍▧▽◑▌◃▱◗●◩◵◌■◚▊▾◘◫◘▙▢
Abu’l◸Abbas▾as▼Sibti,▛of▋Ceuta◭[1].
▜▉◝▼◜◽◅◞◒□◒▱▛◻□▨◨▬▥◺▼◖◼▷◼▐
Faced▫with▱the▽ecological◍collapse▍of▩soils,◊and◵the
◖◐▯▬◔▾◸◗░▲▏▝▥◨▲▾▱▚▞▼◪▮▵▶▩▌
expansion◫of▩deserts▨by△the◳intensive◶extraction◿of
◊◄◾◼▊◂▙▕◝▼▿▥▜█▋▁◨◓◙▰▾▦◑◾◔▐
silicon▋without▙meeting◐the▱limits▪of◌the◦planet,
▤▄░▀◀▪▤▼▆▢●▀◫◛▏◌▤◌◵▚▭◥◿◺◽▅
the◬project▐Calculate▲on▒Sand◜proposes◻to◎the
▽▸▝◓▓◴◎▵◸◇◛▥▤▒▰◌◻◃▆◣◫▨▩◘▐◸
artists◹invited◖to▕the◭cycle,◁pioneers,▍researchers
◁◾▱◭▤◂◰◮▯▙◳◡◆◀▨◓▚◉▣▾◟◭◧◮◹▣
and▰emerging,▥in◯their▼areas◟of◇choice,◛to
▜▧◵◘◌□◒◲▔▪▜▩◵◮◗◣△◄◞▦◟▹◫◁○◃
recalculate◁in◽the◽sand,▴not▫by▞nostalgia,◠but▰as◭a
◭◚◫▧◪▘▪▋░▲▅◆▴●◽◁◝▰▩▂▎◼◑◽█◦
creative▋act▨of◣technological◍ecoresilience.◞Focused
◗◄◑ ░▊▨◎◯▢▉▛◴▞▧◺◆◣◐▜△▒▀◧▆◝
on▋the◄founding◧metaphor,▵sand▏as◿a▞bridge◵between
◈◿◢◯◓◫◢▷◖◀◾◪▶◷▓◬▌◲◝◁▢◲▧▢◽◵
the▵origin▵of▢computing◾and▐the█current
◚◌◻▾▦◶◚▹▪◲▃▰◝▮▸◻◍◨◙◁▱◓◪◂◥◵
environmental◽crisis,◛the▲project◮is▼a◮creative
▶◢▚►▲▙▊△▵◼◘▨▌◹◿▎◹▏◰▋▔◒▐▮◟◇
cycle▚methodologically□based▎on◧collaborative
▏◅▖◯◬▟▥▜▥▧◦◵◡◫◭▌◁▫▽◐▻▖■▖▜░
research◼and▇creation▩residences◺in◫eco-
◩◉◃◎▋◠▧█◍◨▰▸◧▭◷◩▃▰▞▰▖◺◶▌▒◹
technological,◴electronic,▕digital,▎biological▆or
◥▮▁▣◄◳▍◰◙▨◩◔◥◸▩▝▊●▎◍▎▒◆▫▉◃
traditional▉and▢experimental▗arts,△and▨in▚the
▧◴◠■▴█◂▇◊◥▴▞▏▱ ◳◗◄◣○◨◿▎◄▭▆
dialogue▉between▹the▏creators▅of◳various◳areas▆that
▫◣◗◾▲◥◦◪◚◘◉▾◂◌▩●▁◅▟●◌▤◃◨◈◵
cross◴computing,◅bioart,◚sound,▝installation,
▆◟◒▊◹▢▞◽◖◾□◿◌▨◶◐◄▀◢▘▛▽◭▷◫▟
painting,►sculpture,■electronic◳design◪and▇critical
▸◚◞●▵▦▞▵▶ □▉◭◜▕◀○▥▷◛◒◘◵▔▌▬
theory,▴which■results◇in◱individual◄and▨collective
▱◧◷◟◡▆◣▼▖◲◒▟◴▎◿◞◪◴◙◼▒▵ ●◕▷
works,▲events,◞workshops◖and◷exhibitions.
◐▫▱◦◘◜▼◸△◔▣■◝▼◜▤▢▻◗▇◑▗▁◭▅▭
Calculate▹on▞Sand◵2627,◓the▬2nd◙edition◼of■the
▞▾▾◥▐◸■ ▦▅◱█▤◆◝◓◰▇▇▉◡▰▥ ▰◛
cycle,◰maintains◐the◠originality◹of▅the▱conceptual
◥█▏◟▮◎◐▍▢◐█◁▮▴▬►▛◬▴▗◵◸▮▴◫▃
and◄artistic▟essence▘of◯the◄project,▕and◔establishes
▝◫◜▆▟▹ ◉░◢◷▚▦▁▪▿◽◘◎◞▦◎◾▂◟◍
a►uniqueness◂of◖its◑own,▦articulating▟the
◭▋▶►▖▝□▍▽◎◼▏▰▴◹◕▌▷◀◐▞◎▢◃▥◫
complementary◼axes▯of◽Technological▗Archaeology,
◬◛▒◳◚▍◴◫▆▩◗▊▚◰◍▥▣◔▏▶◵▤▭◣◞▣
revisiting▣analog◼and◼pre-digital▻processes,
░◼◾▃▇▾◻▻▘▦◵◺◺◫▚●◢◨●◴▌◿◵◹▴◷
proposing◬alloys◥between◅the▪current▧electronics▅and
▲▃◧▻◛▆▼◻△◬◑◓◮▗◻▞▰◬◩◹ ◺▘▤◐◰
its geological□and◃historical◠substracts,▣as◻well░as
▚▙▢◜▝█◰◽▼◆◒▀▓▄▷▢◹◂◖▾█▋▄▄▕▪
the▓Ecology◵of◷Means,►through▋an◴analysis◓of◥the
◺▵◡▭▄▽▤◽▎▪◹◪▖◠◯▽▜◈◉◥◶▉▥▷▲◕
ecological◶costs◆of◯the▐digital◽infrastructure▼and
▉◁▮▍▋▧▻▷◸◗◶◒◳○◺▆◪▹►■◟█▷◒◱◌
bioelectronic◶or◯multimedia▷proposals,▁wherein
◛▓◉▋◌▘▗◃▰◇◗▐▰◶◩▘▲◽◽▂◂▖◱◅▙▱
technology◆serves▚resilience,◆keeping▕the▃central
▙▨◠▓▱◁▪◈▘▤▿◸░◁▯◼◼◣░▁◇◣◬◈▲◥
aesthetic○option◿of◰the▧sand▮metaphor,◒reinventing
◱◛▜◌▗◦◤◮▫◝█▇◫▯▀◮▦▿▷▎▦◓◷▙◇◯
the◙founding◛gesture◻of◎the▏project,◿that◲self
◕▹▆▛◧◩◎◇◹▶◎►◦●△▀◝◮▧▎◀◯◶◃◿▍
justifies◪with▏the◗still▘urgent◦need▼to◈rethink
▶▯◕▼▫▗▼◥◲◮▽◱▍▖◀◓◣▖▥▮▋◯◼▰◸◕
critically◷the◥ecology-technology◼relationship,
▛▬▋◞▔▥◗◞▰◉▼▝▴▶▮▗▧▼◚◅▞○▰◩▏▓
questioning◛the◪linear◂progress█we◽are▀subjected◼to,
▰◹░▄□▕▩◓▣▆◪◪▣◬▮▚▽◑◀◧▇▓◃▤◖▟
and◟proposing◔multimedia,▛bioelectronic
◱◖▫◣▔▖▝▯◶●▶◡◜◚◃◎▧▣◵▨▽◎▟◑◎▬
alternatives,◳harmonious▇and◇resonant◯towards▉the
▣◳◖◮▌◨◨◃▬◍◫▐◯▲▏▛▴▧▇▨▲ ◔▯▱◑
ecosystems▽they►are◢inscribed◛at.
◯▣▍◕◇◰◔◴◪◪▸▤▉▦◦◓▃◘◼◢◘▞◮◀◤▽
With◙this◉temporal◎and◦content◻articulation,
►▾ ◡△▄◌◥►▇▫◇◸□◹▯░◱◿▨▉◧▝▭▼◤
concept,▇aesthetics,◭methodology△and◶territory
▇▀◐◪■▕◤▢▦▱▚◯◜◿▗◪▙▟◤▖◃▤▰◅◒◕
reinforce◦each◢other,◹creating◡a▸living▆cycle◆that,
◫◤▞◑▰▨◀◩▎▲◝◈◫▁◽◴ ▝◿▴▾◩▢◯▗▐
in◤each▆edition,▕contributes▇to▝respond,▝with
▜◝▩▫◊●▓◝◌◍▊▒◬◔▛▕◰◛▊◅▦◥▋▢◻▫
originality█and◩relevance,□to▇the◩enormous◺challenge
▪◯▋◑◖◕◣▢▧▫◫▗◖◽▲▔◡◪▮▢◑◪◴◟▫◺
of◗preserving,◸also▛by◒Art,▨planetary
▎▰▐◒▿▀◞▲◶▒▄▖▲▒◀◮◗◁◓□◟▃◥◗▚▢
sustainability.
◤◿▪▎▅ ◒▿▭▤◐ ▯▨◙◦◞◓◚▂▔▹◅▛◎◡
–◡ArteCódigo◠(February,▭August,◲2026,◆Portugal).
▎◍◇▊◡◗◱▆▚◢◧▢▔▷◆▤□◇▫▊◟▇▾▲◹▬
Note:▒Text◎written▩by◊several▁hands,◠by▔the
▵▏▱▐◿░▔▌◀◾◰▫▾▰◎►□◇◓◒▻▏►◽◾▧
ArteCódigo▧team,◥supervised▀by▅the◉project
▿▒▸◵▻▬◍▘◀▔▟▐◘▞▌◊▟◩◱▻□◥▢◺□◯
leadership,◣during▄the◱application▊phase▬for
○◎▷◉▢▵◢▶▁◬◖▍◵▰◷◎△◖▹▾▁▓▓◍▻▲
support,◯especially▱amended▿substantially◍during
►▌◽○◽▕▏▿▩▸◓▚◉◸○▿◚◝▝◁◕▾◆▒▝◺
August▌2026,▧under◖a▍spelling◘agreement▩that
▋▯◧▎△○◽▛◱●▾◵▫▇▋▭▏◽▛◝▥▹▃◬◯◉
promotes◑differentiated◞linguistic▽specificities,
▓▃◚▕◡▅◫▀▝◔◒◵▓◮◺▰▢◉▚◁◔◗▢█▓▙
generating▽specific◃cultures,▟and▊encrypted█in▇a
◸▿◂▖▍◞▝◊◖◰▝◜◑◳▀◦◜▾◿░▜◉◹◒◽▵
simple▷way,◿to▏hinder◶readability◦and
◝◟▓□▰▨▶◆◇◗◨▟▏▇▼◷◠◜◌▩▧◾◽▢▼▘
misappropriation▢without◶machinic▔return,◯and◊to
◥▽▦◽▸▕▬◼▐◝◠▛□█▦◣▛▖◙◿▜◲▲◝▨◅
promote■human◘reading.
◹▞▸▷◸▿▵◻▤◇◷▜◬▓◃◿▵█◲▞○◶▷◨▂◸
–
◍◓◓▣◟◕◈▥▕▶◶◉▽◠◁◡◟◕▰▼◽▞▃◂◵◊
References
△▆◙▖▦▢▩◝◆▎▙◒◐◉◒▨□▨◳◗◻▬◔◔◱◚
[1]◯-▢Ifrah,◀G.◾(1998)[1994].►The◅Universal◿History
◾◫▛◍▔▹▧◬◁◂▲▒▎▘▼▅◇◿▸▾◸◜◌▓▁◢
of▼Numbers:▘From▖prehistory◄to▉the
◹▻◾◆▙◵◱◑◰▱ ▇▃◬◖▷▱▒◚▾◖◯░▂■◭
Invention◁of▇the◽Computer.◉London:●The◘Harvill
▙◇◣◘◦◷▧▇▦▣◃◮◹◪▸▢▓◶▼◔◥◬▢▆▲▆
Press.
▎◛◪ ▣◚◵▴◉◟▤▇◫▊◎◹◠◦▽◵◅◰◆▅◫▰
–
◼◙◾▤▟◲▐◨▏◟▟◞▆◷▟◇▾◸▫▿▽◉◲▒▙▄
AII:◚1e-5◸(Some◕answers◊at▙the◒top▻of▨the◢page▁to
▰◷▐◱▣◲◀▽▘●◪▨▗▶▼▯◜◣▐▍▗▇▅▗◯
questions◲in▇search●engines,◅Leo)
▌◤◬◨●▦▃◪▃▃◛▧◖◚▽▽▰▮▎◚▄▇▫◔▼◱
–
▞◞◫▄▎◴◹▭▷▫▞◎▏▁◟▀◽■▅◀◄◾◑◺▟◘
41◑Lines,◕6867▕characters,▆43◙●993◥6919
▩▘◱▻◈◴◍◎◴◁◇►◠◧◗▿◜◸ ◿◪▖◱◥◅◍
–
■▣▞▾◩▇◔◜◲▵▹▒▭◸◁▫◔▱▘▎◟▀●▁▶◸

CnAii2627-intro-www-1080p.mp4 @ youtube/@artecodigopt